* Denotes preliminary support New Lens Profile Support in the Camera Raw 8. The following new cameras are now supported: In addition, this release also includes bug fixes, support for new cameras and new lenses. This release provides new features including Auto Levels-like functionality and Auto Straighten. Eight lens correction modules are also added, including support for the Sigma 18-35mm F1.8.Ĭlick here to find download ACR 8.3 RC for Photoshop CCĬlick here to find download ACR 8.3 RC for Photoshop CS6Ĭlick here to download DNG Converter 8.3 RC Adobe Camera RAW 8.3 Camera Raw 8.3 is now available as a final release for Photoshop CS6 and Photoshop CC. The latest versions brings support for 15 additional cameras, including most of the latest models from Fujifilm, Nikon, Olympus and Sony. DNG Converter is available for free for users of older versions of Photoshop. ACR 8.3 is designed as different versions for Photoshop CC and Photoshop CS6. The positives though are that the Camera Raw filter is essentially a wonderful convenience to have when working in Photoshop as it can save you having to export an image or layer to apply the Camera Raw processing separately, and it extends the range of image adjustments you can apply when working in Photoshop.Adobe has issued Camera Raw and DNG Converter 8.3 release candidates, along with a similar preliminary version of Lightroom 5.3. You can’t expect to achieve the same range of adjustment control on a non-raw image when adjusting, say, the Highlights slider to rescue extreme highlight detail. Above all, if you care about optimum image quality, you shouldn’t really skip carrying out the Camera Raw processing at the raw image stage, as Camera Raw is most effective when it’s used to edit raw images. There is also the overhead that comes from having to create a Smart Object, which inevitably leads to bigger saved file sizes. There are no Crop, Straighten or Rotation tools, and there are no lens-profile correction options because there is already the Lens Corrections filter you can use in Photoshop. You can’t save snapshots because there is nowhere to save them. This is because the workflow output settings are not relevant when processing an image directly in Photoshop – it will already have been rendered to a specific RGB space and bit depth and the histogram RGB values will refer to the document colour space. There are no workflow options (the hyperlink beneath the preview). However, some limitations can only be expected, such as features missing from the Camera Raw filter dialog. Or, maybe, you’ll feel more comfortable using the Camera Raw Basic panel tone controls instead of Levels or Curves to tone edit an image? There’s also the benefit of being able to apply other Camera Raw-specific adjustments such as Clarity to adjust the mid-tone contrast or Camera Raw-style black & white conversions. The Adobe Camera Raw plug-in became the latest must-have tool for professional photographers when it was released in February 2003. For example, when working with scanned images you can use the Camera Raw filter to apply the capture sharpening. This allows you to re-edit the Camera Raw settings just as you would when editing a raw image. Ideally, it is best to apply Camera Raw adjustments non-destructively by first converting the image or image layer to a Smart Object (Smart Filter) layer. ![]() To apply Camera Raw adjustments via Photoshop, go to the Filter menu and choose Camera Raw Filter (Command+Shift-A, Control + Shift-A ). ![]() The Camera Raw filter can only be applied to RGB or greyscale images that don’t exceed 65,000 pixels in either dimension. In some ways the Camera Raw filter offers a similar scope to what you can do in Lightroom when editing non-raw files, except that in Photoshop, the Camera Raw filter can be used to target individual layers, or individual image channels as well. Therefore, the Camera Raw filter can be a much simpler alternative. And, to be honest, the preference options can make this a really confusing process. Some might argue that Camera Raw editing is already available for non-raw images, but this is limited to flattened files saved in the TIFF or JPEG format. Since the first release of Photoshop CC, it has also been possible to apply Camera Raw as a filter to RGB or greyscale images, in place of regular image adjustments such as Curves or Hue/Saturation. Since then Camera Raw has evolved to become a sophisticated image editor in its own right as well as providing the core image processing in Lightroom. Martin Evening shows you how to make best use of itĬamera Raw first began life as a plug-in for Adobe Bridge that allowed photographers to process their raw photos via Bridge, rather than rely on proprietary raw-processing software. The excellent image editor Camera Raw can be used as a Photoshop filter.
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